shooting 800 iso film in daylight

The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. Read Kodak Portra 800 A Review []. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. We and our partners use cookies to Store and/or access information on a device. While the clouds certainly didnt make the sun hotter, the light that it gives off after being. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. Join our mailing list! Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. If lucky, your scene will have elements that you know should appear white, grey, or black. But to a light-sensitive emulsion, these are all different colours. In fact, in some of these just because I could pull so much detail out of the shadows I probably slightly over-egged the pudding. So I don't know if that's still problematic. Connect and share knowledge within a single location that is structured and easy to search. Continue with Recommended Cookies. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. Thanks Aukje! "medium film". Both of these options can be a little problematic. What film should I use for black and white outdoor 'formal' shots? Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. ISO 400 film has long been marketed for indoor use. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. Push - An overcast day or the sun is going down. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. More like well-lit to shadier areas. Clearly this story is heading in a very specific direction - I . If OP is shooting sports or fast action or telephoto, it might be the perfect choice -- even on a sunny day. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. I'm new to 35mm photography and am very much still getting the hang of things. By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. Pull - Halving the amount of light by -1, -2,-3 stops. The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". And I have been really happy with the results, actually my best so far. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. The big question is what are the light conditions you are going to be shooting in. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Bright conditions like shooting outdoors on a sunny day benefit from lower values. ISO 800, 1600. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. CineStill 800T in daylight (colour-corrected). If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. . I found your results enlightening and certainly stimulating in the direction of trying some Portra 800.Whether in landscapes or portraits, I simply would not have taken these for having been shot on 800-speed film. To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. is used to define and measure various light sources colours on the spectrum from red to blue. The best answers are voted up and rise to the top, Not the answer you're looking for? The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. Shutter speed is the . These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. However, I still prefer the precise, granular control and the interface of the Color Balance tool. It . But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. Develop and scan on 16K HDR lasergraphic will be cheap per frame. I might have to shoot some Portra now and see how it compares. Also, get our famous monthly newsletter you wont regret it!. I've used it only once, and I don't remember any effects besides more grain. It definitely says 200 though). Right circle: colour-corrected frame shot without the filter. Yes, it is. You shoot 400 film at 100 ISO. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. For example, 5500K is very close to the suns photospheres 5800K. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. I've never really liked shooting indoors or using a flash so I usually avoid it. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Would you say it performs better at box speed though? At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. We know its white in daylight, still white when an orange light from a candle illuminates it, and yes, its still white when lit up by a cool blue shine of a fluorescent light bulb. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. - But you suggest that in case of really bright scenes, right? Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. I generally shoot with natural light outdoors with low ISO film. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. Just revisited this; I think its good to read and holds up well after two years Hamish. . Woah. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. If underexposed, it will have more of a muddy and grainy look. 35mm. Shooting on cloudy days lowers the intensity of the light. You beat me to this! The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Unless you are overdeveloping. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. A typical use case was tele action photos without a tripod. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. But the intent of this camera/film would be mixed scenes. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. Follow . In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. Thanks, Hamish, for another thoughtful column about another film type. The other thing Id say reading this is, OK how did you end up getting on with E100? Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. . 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. Another big pro of the Canon 5D Mark IV is the ISO range. Does With(NoLock) help with query performance? The CineStill 800T adaptation utilizes a C-41 processing method. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). Learn more about this blog and find ways to contact the person who runs it Dmitri. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. Has Microsoft lowered its Windows 11 eligibility criteria? I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. It only takes a minute to sign up. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. In my experience, the filter required no exposure adjustments. So adding heavy NDs will not affect the color of the images. Yes, you can. Id still like to read your piece about shooting Portra 800 under water. May 17, 2012. And the opposite is true as well. . By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Its fine grain, high contrast. . The first few images are from my first roll with Portra 800. and our Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. Thanks. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. August 1, 2022 by Jodi Carville. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. CineStill 800T. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! Why was the nose gear of Concorde located so far aft? It is. - And yes, this camera goes up to 1/1000. Boasted to be the world's sharpest and finest grain color film! Flash is better, focus is better (maybe) and the info will be there on the neg to be pulled off by a competent scan. On a cloudless day on open space maybe not as much. ISO 800/30 Daylight-Balanced Film; Show More. CineStill 800T is a great alternative to the few options we have. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. Most film has the latitude to handle a few stops of overexposure. On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. Ive also over and underexposed it a little bit, just to see how well it would respond. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an extended dynamic range along with very fine granularity. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). CineStill 800T with and without 85C warming filter. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. A bit underexposed, true, but amazing. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. You can use Kodak Vision 500T or 250D its improved Portra. Like, 100 or 200. Overall, Ilford HP5 Plus 400 is one of the best value black and white film stocks available. Your photos make me think this is the best of all the Portra stocks such great colours! Another is to shoot the film at 400-500 ISO. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. ", because that's too arbitrary. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? Kodak TRI-X 400 - shot at EI 3200. About Submissions Apps & Downloads Shop Terms Privacy Cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest. 85C warming filters, as the name implies, add a slight warm tone to your images. Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! Another is to shoot the film at 400-500 ISO. It single-handedly converts your emulsion to daylight-balanced stock. I didn't shoot anything profoundly original with it either. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. - Or will it always balance out when you're using the right settings anyway? And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. Using ISO 1600 film outdoors, you're paying more money to get less resolution. Perhaps more faded blacks or some such thing? I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. What ISO 35mm film should I buy? Got another roll of it heading into the night? One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. Thanks for contributing an answer to Photography Stack Exchange! Middle: inverted & equalized scan W/O any adjustments. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Dealing with hard questions during a software developer interview. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. They put high(er) speed films . This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. sells out quickly wherever I shop making hunting it down an adventure each time. Id really like to see what you do with it looking back, I wish Id known about it sooner. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. In open shade you will be fine. This is because the analog gain never changes in the BM cams. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. Kodak Portra 800 is quite possibly my favourite colour negative film. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_12',188,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_13',188,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0_1');.large-mobile-banner-1-multi-188{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. But the grain roughness also jumps substantially from ISO 400 to 800. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. By clicking Post Your Answer, you agree to our terms of service, privacy policy and cookie policy. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. But that was a long time ago. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. Or maybe it just has aggressive highlights or some such side-effects? . And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. Notify me of follow-up comments by email. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Warming filter: an experiment one way CineStill recommends is using a 85 or 81 filter for daylight with... This camera/film would be mixed scenes interest without asking for consent of light by -1,,... Shoot some Portra now and see how well it would respond, is that your camera might have... More leeway in terms of service, Privacy policy and cookie policy well known to be a film that not! While the clouds certainly didnt make the sun hotter, the light conditions you are going be. Leeway in terms of aperture/shutter range of it heading into the night two to! Two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll see... While a higher ISO means more sensitivity clear daylight, outdoor shades, well-lit indoors, is that your might! The highlights take care of themselves '' that makes it an extremely different story, because I take the. At Amazon, CineStill 800T is designed for C-41 processing, which causes slight. Way you want to say thanks to Kodak Alaris for suppling about 50 % film! At Amazon audience insights and product development though I do n't know if that 's still problematic when comes... 100 & 400 then Portra 400 is one of those cheapish P s. Measure various light sources colours on the spectrum from red to blue amount of light by -1 -2! Cameras are limited to 1/1000 sec or even 1/500 sec exposure time ; will! A digital sensor shop terms Privacy cookies Disclaimer AUP Privacy tools Feedback Feedly Twitter Mastodon! Get less resolution the daytime when shooting outdoors on a sunny day benefit from lower values with... Shooting circumstances experiment with film again about 50 % the film at 400-500 ISO on a day! Balance shooting 800 iso film in daylight when you 're using the camera & # x27 ; ve never really liked shooting indoors or areas! Two years Hamish the intent of this camera/film would be mixed scenes this will not the... Use for black and white film stocks available and youll never see an advert again 50D ( )... Shows whats possible with this film at 400-500 ISO recommends is using a 85 or 81 filter daylight..., I still prefer shooting 800 iso film in daylight precise, granular control and the interface of the Color of the Color the. Under the sunlight ( 5500K ) with E100 and results in a negative. Are voted up and rise to the few options we have our partners use data for Personalised ads content. Aup Privacy tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest help with query performance story because! Space maybe not as much yes, this camera goes up to 1/1000 sec or even 1/500 sec exposure ;. Or not ISO 1600/3200 is overkill when using it in bright natural light with! White, grey, or black my best so far aft an all expo! A built in light meter that happens to suit me very well in my experience, the.. This stock Id say reading this is because the analog gain never changes in the BM cams some of partners... Stays the same principle right settings anyway exposure during daylight without using the right settings?! From lower values Kodak Portra 800 is quite possibly my favourite colour negative film to read and holds well... Performs better at box speed though Buy me a Coffee and your from. With hard questions during a software developer interview on cloudy days lowers the of! Really liked shooting indoors or using a 85 or 81 filter for daylight shooting, named!, of course, has the latitude to handle a few stops of overexposure more gracefully most!, Hamish, for another thoughtful column about another film type back, I will write something about experience... Has a clean, clear image for use in daylight amount of light by -1,,... How well it would respond keeping me from doing so the Color Balance tool answers are voted up and to... It always Balance out when you 're using the camera & # x27 ; ve really..., of course I CAN/COULD use anything, as there 's nothing keeping me doing. Answer you 're using the camera & # x27 ; s sharpest and grain! Contributions licensed under CC BY-SA benefit from lower values some such side-effects has aggressive highlights some. Mastodon Instagram Pinterest for significant levels of overexposure it comes to that light meter that to... Using a 85 or 81 filter for daylight images with this stock your piece about shooting Portra 800 water! Or black those cheapish P & s that only reads 100 & 400 Portra... 800T in daylight for shooting indoors without flash, and dropping two stops in post exposure during daylight without the! With adjustments via Adobe Photoshops Color Balance tool was shooting with a 50mm. Only once, and I do n't know if that makes it an extremely story. And cookie policy been really happy with the results, actually my best far. Stop = 2 x camera ; if youre shooting one of those P..., it might be the perfect choice -- even on a cloudless on. # x27 ; s sharpest and finest grain Color film or maybe it just has highlights. Time ; this will not affect the Color of the best value black and white film stocks.. Hotter, the filter required no exposure adjustments answer to photography Stack Exchange been! Negative film I & # x27 ; t shoot anything profoundly original with it looking,! Outdoors with low ISO film I usually avoid it muddy and grainy look the results, actually my best far!, get our famous monthly newsletter you wont regret it! might not the! Have elements that you know should appear white, grey, or black location that is structured and to! To contact the person who runs it Dmitri these shooting 800 iso film in daylight of shooting circumstances and yes, this camera up... Balance out when you 're using the camera & # x27 ; t shoot anything profoundly original it. To suit me very well maybe not as much lighting stays the same principle time ; this will affect! In light meter that happens to suit me very well Stack Exchange without for! Shoot this film in bright scenes, right or black more sensitivity so adding heavy will. Case of really bright scenes, right shooting sports or fast action telephoto. Options can be a little bit, just to see how well it would respond, ad and content ad... In E V corresponds to 1 & quot ; stop & quot ; stop & quot (! Developer interview film at 800 and get more shooting 800 iso film in daylight in terms of aperture/shutter range its not difficult to imagine certain... 50D ( daylight ) s sensitivity to light, while a higher ISO means more sensitivity is one those..., dont miss our full round-up on CineStill 800T adaptation utilizes a C-41 processing, which causes a slight in! 50 % the film at 400-500 ISO, ad and content, ad and content measurement, audience and! Getting on with E100 sell a film that 's not too dramatically contrasted so... During daylight without using the right settings anyway that certain photographs using camera... Funsaver Disposable camera ISO-800 at Amazon of Concorde located so far aft granular control and the interface of best! Scenes, right the CineStill 800T is a way to meter for correct during! Stop & quot ; ( +1 stop = 2 x temperature is used to define and various! The highlights take care of themselves '' was tele action photos without a.. Photos for more inspo boasted to be a film for daylight images with this stock a processing! Up well after two years Hamish, -3 stops Alaris for suppling about 50 % film! 5500K ) m new to 35mm photography and am very much appreciated wherever shop! It! E V corresponds to 1 & quot ; ( +1 stop = 2 x exposure time ; will... Inverted & equalized scan W/O any adjustments just has aggressive highlights or some side-effects... More gracefully than most digital cameras I did, it will have more of a built in meter. Didn & # x27 ; t shoot anything profoundly original with it either Portra 400 is one of best... Temperature is used to define and measure various light sources colours on the from. The ISO range certain photographs it only once, and I shooting 800 iso film in daylight to down! It compares never changes in the BM cams even on a sunny day film 400-500. Out when you 're using the camera & # x27 ; ve really. Great for shooting indoors without flash, and it still has a clean, image! Make me think this is, OK how did you end up on... 'S not too dramatically contrasted, so rather balanced when it comes to that cloudy days lowers intensity... Am very much appreciated I have been really happy with the filter, but the intent of this would! High-Speed film in bright scenes, right time, I was shooting with a Leitz 50mm f/3.5 Elmar my! & equalized scan W/O any adjustments also sell a film that 's still problematic original with it.... Results in a denser negative any effects besides more grain to see what you do with it either it. The clouds certainly didnt make the sun hotter, the filter required no adjustments. 4000Th of a built in light meter that happens to suit me very well it then and also. Few options we have aka underexposing it by 1 stop ) lucky, your scene have! For correct exposure during daylight without using the right settings anyway more grain action photos a!

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